Sohrab Fakir is a Sufi singer. His full name is Sohrab Fakir Khaskhely(Reference: Maro Je Maleer Ja By: Khadim Hussain Chandio, p no. 320-21) {Another Sindhi Intellectual Mr Naz Sahito has poined that "Saaeen sohrab Fakir was not Khaskheli [by caste] .he belongs to Manganhar family, His forefathers migrated from Rajisthan to Khairpur state , his first cousins family still residing in Rajisthan'}. He was born in 1934 in Khairpur Mir's. His father, Hamal Fakir, was the disciple of Kush Khair Muhammad Fakir. Sohrab Fakir is recognized as the greatest living Sindhi folk singer in his style of music, playing the yaktaro (single stringed instrument) and chappar (wooden clappers). Sadly, a paralytic stroke recently left Saaiin Sohrab voiceless. He is spending his days at a Sufi shrine in Sindh. Aptly perhaps, the Fakir's rendering of a folk prayer asking for the intercession of the grace of Shah Latif is also included in this collection. He started singing at age of eight years with his uncles. He went to Khan Sahab Khety Khan in Rohri for more musical education. He sung his first song at shrine of Kush Khair Muhammad, was Kadhy Kadam Kaya Khan Bahar Ker. He started his career on Radio Pakistan, Khairpur with famous Raag (song) of Gamdil Fakir, Galiyan Prem Nagar Diyan, and he became famous everywhere in country. He performed in overseas, e.g. London, Norway, Belgium, Germany, Holland, France, Italy, Denmark, Switzerland, Saudi Arabia, Dubai, Iran, India and many countries of the world. Soharab Fakir was given the Sachal Award for his achievements. He passed away in Talpur Wada village near Thari Mirwah on Friday [23 Oct 2009] after protracted illness. Oh Surs & Ragas! Suhrab Faqir is dead
By Mansoor Mirani Saturday, 24 Oct, 2009 04:59 AM PST http://www.dawn.com/wps/wcm/connect/dawn-content-library/dawn/the-newspaper/national/oh-surs-ragas-suhrab-faqir-is-dead-409 صوفی گلوکار سہراب فقیر نہ رہے
علی حسن Saturday, 24 October, 2009, 00:09 GMT 05:09 PST http://www.bbc.co.uk/urdu/entertainment/2009/10/091023_sohrab_faqeer.shtml
Courtesy: Mr Saqib Tahir
URL: http://www.youtube.com/watch?v=DUtGA0AuI_s
Mumal and Rano I - Composed By Shah Abdul Latif Bhittai - Translated By Elsa Kazi Mumal and Rano-XXI http://www.geocities.com/thebhittai/lateef21.html
I
1
With love, all unalloyed, is dight
Yogi entirely-
Like image at rising sun
he flutters, he Kak, where with delight
virgins enlivened him.
2
The yogi looks like sun so fair,
2
The yogi looks like sun so fair,
when scaling morning-skies
Such sweet entrancing fragrance pours
from out his silken hair;
Show us the land, where fragrance rare
O yogi you obtained!
3
O loin-clothed, one, let us know,
3
O loin-clothed, one, let us know,
the way you virgins met
Why from your eyes continuously
the tears of blood do flow?
O Sami! on us light bestow
of beauty that you found!
4
"Go, go, to waters of Kak go
4
"Go, go, to waters of Kak go
where love is made, they say;
Where there is neither night nor day
all shall Beloved see!
5
Resplendent diamondss gleam within
Resplendent diamondss gleam within
Magnetic Mumal's eyes...
Common or uncommon, who tries
to see these eyes, is slain.
6
O camel, for such enterprise
6
O camel, for such enterprise
master bred you with care;
With vigilance cross over now
to where Ludhana lies;
Mumal we have to face this eve,
or when the sun doth rise;
With her consent on Kak's supplies
of blossoms you may browse.-
7
Beautiful like the roses sweet
7
Beautiful like the roses sweet
are robes of damsels fair...
In Jasmin-fragrant coiffuers they
have piled their long, fine hair.
From Beauty so entrancing, love
is kindled everywhere;
Wondrous show, damsels spinning there
on-lookers dumb-struck gaze.
8
Like fresh pan-leaves are shawls they wear
8
Like fresh pan-leaves are shawls they wear
of shimmering emerald silk-
Their bodies all refreshed with atter
and ambergris rare;
From fullsome platis sandle and musk
perfume all round the air;
And delicate ears, dainty ware
of glistening gold do hold-
Today Mumal's in glorious from
rejoicing, free from care;
Because Rano without compare,
her fiansee hath become!...
9
Mumal had wounded many, lo
she's wounded now instead-
A pointed arrow struck her head
from knightly Rano's bow.-
Mumal & Rano II - By Shah Abdul Latif Bhittai - Translated By Elsa Kazi Mumal and Rano-XXI http://www.geocities.com/thebhittai/lateef21.html
II
10
Although Rano not destined is
Mumal to be with thee-
This will be clear from Rano's love...
still not resentful be,
Weep not, but bear it patiently,
Be true to kinship new.
11
Kak could not hold those wanderers
11
Kak could not hold those wanderers
Castles not tempt their mind...
No maid or mistresses their hearts
with magic strings could bind
For e'er Lahutis left behind
myraids of maids as these.-
12
Kak could not hold those wanderers
12
Kak could not hold those wanderers
for wealth they did not care,-
It was by men of such a mould
royal virgins wounded were-
Lahutis they could not ensnare
with all their coquetry.
13
They passed Kak at the corner, long
13
They passed Kak at the corner, long
that corner turned have they...
To those who are now far away
what shall some 'Natir' do?
Mumal & Rano III - By Shah Abdul Latif Bhittai - Translated By Elsa Kazi Mumal and Rano-XXI http://www.geocities.com/thebhittai/lateef21.html
III
14
Ludhana is a hell mere
without Beloved mine;
Friends, Rano took offense last night
and left me torture here...
And Kak to me is poison sheer
the moment he is gone.
15
O Rano, hardly had you come,
15
O Rano, hardly had you come,
you turned and went away
But were you not my spouse? why not
to wake me did you stay?
Then soon you would have known who lay
beside me on the bed.
16
Whole night my lamp did burn, but see
16
Whole night my lamp did burn, but see
the dawn is breaking now;
Rano without thee I shall die-
In God's name come to me
Oh-all the crows of Kak to thee
as messenger I sent.-
17
I trimmed the wick, again, again,
17
I trimmed the wick, again, again,
oil is consumed at last
Stranger-beloved, do return
riding a camel fast;
Weeping for Rano, night is past,
the whole of night I wept.
18
Orion stands above my head;
18
Orion stands above my head;
pleiades have declined...
The time is past...he did not come
Rano, for whom I pined-
Fie on cursed night, without my love
it passed, and left me woe-confined-
To give me hell, he did not mind
now rests he in his dhat.-
19
Rano, I weep when I behold
19
Rano, I weep when I behold
the empty places here
Dust settled on beds and divans
so drab looks all and cold;
Unused by master pillows lie,
and nought but dust they hold-
Without you, trees and flowers fade
and never more unfold...
Who would bear my freaks mainfold
but my Mendharo dear?
20
Continuously I watch your way,
20
Continuously I watch your way,
mine eyes are at the door-
May you come back to me Rano,
I heaven do implore;
You hold my life, else many more
of Rano's world contains.
21
I did not realize my sweet,
21
I did not realize my sweet,
the faults I did commit;
They now recoil on me, and hit
me justly in the face.
22
't was by your patience, I became
't was by your patience, I became
a human being dear-
't was through a whim of mine, my name,
myself, you came to know.
23
If Mendharo to my own house
23
If Mendharo to my own house
would come as guest, to stay with me-
To flames I'd give self-consciousness
my knowledge and my ancestry;
Pride egoism I would throw
Into the stove, most certainly
My sacrifice for loved-one be
the home, parents, myself.
24
Who with a lion doth ally
24
Who with a lion doth ally
herself, must steady be-
Affectionate and vigilant
In Rano's wake do lie-
O Mumal, not like rain do pour
On all that you come by...
When resurrection day is nigh
you will of Rano think.
25
Go straight ahead, and look not back
25
Go straight ahead, and look not back
nor turn this side or that,
Or else, a temple-turning smack
unwar'ly you receive.
Mumal & Rano IV - By Shah Abdul Latif Bhittai - Translated By Elsa Kazi Mumal and Rano-XXI http://www.geocities.com/thebhittai/lateef21.html
IV
26
A messenger! in haste he is
26
A messenger! in haste he is
By he is sent;
With promise: "one you love will reach
Ludhana for your bliss;
The speedy camel will not miss
to enter Kak at Dawn."
27
A message great and new arrived
27
A message great and new arrived
from Mendharo last night;
We have received a gift divine,
from Giver of all light-
"Ask not for caste-all we invite
all are accepted here."
28
Where need I drive the camel? when
28
Where need I drive the camel? when
Glory all round is beaming?
Kak in my being doth radiate,
In me's Ludhano gleaming;
Of Rano sweet my soul is dreaming
there is none else but 'He'.-
29
Where need one drive the camel? when
29
Where need one drive the camel? when
great radiance reigns all round?
In my being is Kak...in me
gardens and springs abound;
There is no other voice or sound
But all is 'Mendharo'.
Expret on Sindhi Culture Saeen Gul Agha says:
Dr Gul Agha
""Sindhi Soul Session", from the World Network (WDR), Berlin
(available through your local music store in the West, I picked a copy up at Borders, or through Amazon records). As usual, the CD is evenly divided between purely instrumental pieces and vocal ones. The instrumental pieces include al-ghoza (double-barrel flute), benjo, gharro (earthenware pitcher), dholak (drums), surando (a string instrument played like a violin), etc.
But my favorite on this CD is the rendering of 'Raarno' by the masterful Sohrab Fakir recorded on his trip to Germany. Mercifully, the piece is 17min long so one can get a good feel for the depth and mood of the music, rather than short 5-6min snippets which are more typical in recent recordings. Sohrab Fakir's strong, melodious voice set in a Sur composed by Shah Latif, brings out the powerful imagery of the Katho Upanishad, woven in the context of a Sindhi folktale (Muumali-Raarno), and saturated with the perennial message of the spiritual search of Union. Sohrab Fakir is recognized as the greatest living Sindhi folk singer in his style of music -- playing the yaktaro (single stringed instrument) and chappar (wooden clappers). Sadly, a paralytic stroke recently left Saaiin Sohrab voiceless. He is spending his days at a Sufi shrine in Sindh. Aptly perhaps, the Fakir's rendering of a folk prayer asking for the intercession of the grace of Shah Latif is also included in this collection. Let us hope that he will once again have the opportunity to sing, even as his voice continues to enrich our lives. Courtesy: Heritage: New Sindhi CD, Katho Upanishad, and Sohrab Fakir by Gul Agha آغا گلَ جي ويراڳي اوطاق تي سنڌيءَ ۾ روح رهاڻ http://shikarpuri.wordpress.com/ http://clipmarks.com/clipper/Gul+Agha/tag/sindh/ Open Systems Laboratory http://osl.cs.uiuc.edu/people?user=agha
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