Showing posts with label Folk Music. Show all posts
Showing posts with label Folk Music. Show all posts

Saturday, January 18, 2014

Musadiq Sanwal a Sufi, a Crooner and a Journalist (1962 - 2014)


January 2014 KARACHI: Musadiq Sanwal, the editor of Dawn.com, passed away on Friday after battling with lung cancer for more than a year. Born in 1962, Sanwal will be remembered for his dedication to journalism, his closeness to his colleagues and love for the arts, most importantly music which he learnt in his younger years and performed regularly. He studied from the National College of Arts (NCA) in the 1980s and was also trained as a singer and made regular appearances at music conferences and concerts in his youth. Sanwal moved to Karachi in the late 1980s and shared his residence with author Mohammed Hanif for many years before both went to work at the BBC in London. He returned to Pakistan in the mid-2000s to Dawn along with former Dawn newspaper editor Abbas Nasir. “Musadiq was a journalist, writer and a hugely-talented man with untold amounts of creativity. He was an extremely supportive husband and doting father. A generous friend who came from (Multan) the land of the saints and embodied many of their values, traits but was human with his share of shortcomings too,” said Nasir. “Most of all, he infected anyone he met with his passion for music. He represented laughter and a zest for life, even life itself.” Sanwal was diagnosed with cancer over a year ago, following which he underwent strenuous procedures to combat the disease. His fight ended Friday morning when he breathed his last. His funeral prayers were held in Karachi before his body was flown to his native town Multan for burial. He is survived by his wife and two children. Reference: Editor Dawn.com Musadiq Sanwal passes away http://www.dawn.com/news/1080909/editor-dawncom-musadiq-sanwal-passes-away


Chess with Maskwaith - Musadiq Sanwal



Chess with Maskwaith - Musadiq Sanwal by SalimJanMazari

Courtesy: Faisal Sayani - Chess with Maskwaith - Musadiq Sanwal http://vimeo.com/51123239 http://vimeo.com/user8171081 


Musadiq Sanwal was one the victims of a Jamiat attack on NCA in 1985. He lost sight in one eye but never ever complained or repented it. ---- So here we are. 2012 comes to an end. It has been as eventful a year as can be. I am not sure, if it has been good or bad but it hasn’t been disappointing. It managed to carry its share of stresses and anger which is most proverbial to Pakistan. It is difficult to read news in Pakistan and not get angry about it. You often think you are in the wrong profession. For a media organisation, bad news being in good supply should mean the business is good. But it is not. Certainly for channels competing for ratings, they may deliver such news with a certain pressure of speech and a dramatic sense of urgency; screaming with all the breath in your lungs as if it was the last war cry. But soon it starts resembling a cockfight because it is an every day affair. And you find yourself in awe of this fight, anxiously betting in the hope that you might win a few dimes. But if you are perpetually the harbinger of bad news, you want to step back and think before you say anything. Because you have a sense of belonging to the same people you bring this news to. Reporting on the Ashura blasts, you want to make sure the information is correct when you are fully aware of the fact that your Interior Minister has suspended mobile services on the pretext of security. There might be readers out there whose loved ones may have gone to a Majlis or a procession. Why panic them unless you really know? In smaller a way, at the least you can act more responsibly than the Interior Minister. Not that it always goes in your favour, you build a reputation for not breaking stories. To the extent that when you do break them, no one notices. But you breathe a sigh of relief when you are cautious and get it right. We are all humans. We make mistakes. But if we continue learning from these and more importantly, admit when we make one, it somehow gives us the strength to carry on in this cut throat competition. And that too in a country which is perpetually at war with itself hence, another dilemma. Everyone asks us to cover the good stories too. As if what is happening in Pakistan really isn’t happening. It is all a figment of our imagination. We try, because we, too, are desperate for good stories. I earnestly wish we could do more. REFERENCE: The year that pushed us further from being human BY Musadiq Sanwal http://x.dawn.com/2012/12/31/the-year-that-pushed-us-further-from-being-human/


An Evening of Folk Music featuring Musadiq Sanwal - 1




An Evening of Folk Music featuring Musadiq... by SalimJanMazari

Courtesy: PeaceNiche : An evening of powerful, haunting renditions of folk, sufiaana kalaam and bhaktee sangeet. Musadiq Sanwal is a poet, musician, film-maker and journalist. Since the early eighties, he has been composing and singing songs based on the works of Punjabi and Saraiki Sufis, the poet-musicians of the Indus Valley. Mainly self taught, Musadiq’s singing style is infused with the flavour of the popular raags of rural Sindh and Punjab, for which he is indebted to the Meerasis who have practically vanished from our villages. http://vimeo.com/23408310


We made our share of mistakes in 2012. But a clarification is in order here. We did not entertain the demands of some of our readers of taking such and such feature, news item or blog off our pages, and there have been many. I would like to emphasise here that we are willing to publish a rebuttal to a certain article or news story giving it equal prominence. We are willing to apologise or regret an error or accept an oversight in editorial judgment but removing what has been published is not what should be done on websites. In the world of the world wide web, removing anything is more embarrassing than making the first mistake of publishing something that clearly betrayed your error of judgment. Someone might have written something and linked to it; someone might have taken screenshots and may accuse you of trying to wipe off your tracks. It is the nature of the internet which is different from print and television media. Somewhere, someone will find it. At Dawn.com we get our fair share of blame and we routinely publish this criticism But what we do not publish are comments that are plain rude, make accusations without substantiating, promote hatred and violence against any race, religion, nation, community, gender, and in particular children. We also receive threats and tread this landmine carefully, if nothing else for the safety of our staff and contributors. I am not complaining, I am sure in our times all professionals face similar hardships. I just want to share an insider’s view so that as a reader you might be able to forgive us … sometimes. We are perpetually short staffed given the momentum of our time, the flow of information and the interaction taking place between a reader and an author. I understand that readers don’t care about these limitations and expect us to listen to what they have to say, which is their right. We try but sometimes we fail. Not because we do not care. It’s because we are humans. REFERENCE: The year that pushed us further from being human BY Musadiq Sanwal http://x.dawn.com/2012/12/31/the-year-that-pushed-us-further-from-being-human/

An Evening of Folk Music featuring Musadiq Sanwal - 2



An Evening of Folk Music featuring Musadiq... by SalimJanMazari


An Evening of Folk Music featuring Musadiq Sanwal - 3


An Evening of Folk Music featuring Musadiq... by SalimJanMazari


I am sure by now you must think that I am obsessed with the idea of being human while talking about 2012. You are right, I am. Earlier when I said that we do not publish anything especially against children, it was because for me this was the worst year for our children. Even though we started with tragedies like the Bhoja Air Crash, the usual conspiracy theories and whether an elected Prime Minister stood disqualified or not. We remained glued to our screens by the curious cases of our military bases becoming the favorite targets of militants as it seemed like a battle of survival. But despite all this, it was the year when in Pakistan a lot of people forgot to be human. We burnt down the places where we could dream collectively. We silently witnessed the scene of a young man falling to his death while the crews normally went about filming it as if it was all enacted. We started targetting our children for refusing to enroll in an imaginary holy mission of Jihad. After the Malallazai Attack, a TTP statement clarified that once Hazrat Khizre had also killed a child. It was as if the Taliban were Hazrat Khizre. Ironically, in one of its verdicts the Supreme Court of Pakistan also ruled a defendant not being a Sadiq and Ameen. Both, our level of the judgment of ourselves, and others did not seem human any more. While we could have put behind bars a child with down syndrome and that too on the fictitious charges of blasphemy, both the above statements escaped our attention. Suffice it to say, I became obsessed with being human in 2012. I felt being human was a blessing because if you did make a mistake despite all your faculties focused on not making one, you could sit back, see through it, admit, repent and ask for forgiveness. It is better than trying to be God or angels and administering your views of justice to hapless children who could instead be saved with simple polio drops. Had Adam not taken the step to be human, would we be here? Reference: The year that pushed us further from being human by Musadiq Sanwal http://x.dawn.com/2012/12/31/the-year-that-pushed-us-further-from-being-human/


An Evening of Folk Music featuring Musadiq Sanwal - 4


An Evening of Folk Music featuring Musadiq... by SalimJanMazari


Let’s celebrate Musadiq Sanwal’s life. Musadiq may have been an ordinary Pakistani and you may never have heard of him but he was an extraordinary man. He dared to dream dreams. An NCA graduate, he was a creative powerhouse, a web-journalist, who made a mark wherever he worked including the BBC. He gave dawn.com its present shape. Many feel a desperate, profound loss today as he was a friend who represented a zest for life, epitomised warmth, love, humanity and respect. An accomplished classical singer, he filled his own life, and the lives of those he touched, with music. He was a devoted family man whose world revolved around his lovely wife Shahla and their two children Dara and Soorat. He travelled around the world for them. He seemed to swell with pride when talking of them. And never did we meet when he didn’t. God knows best why a life has to end when it’s so beautiful, still so filled with promise and when all it represents is intricate, alluring ragas, delightful thumris, enchanting kaafis and compelling laughter. RIP Musadiq Sanwal. REFERENCE: Lives that mattered by ABBAS NASIR http://www.dawn.com/news/1081018/lives-that-mattered Rare photos are contributed by Tahir Mehdi (an old friend of Late. Musadiq Sanwal)

Tuesday, October 26, 2010

The Very Best of Palestinian Dabke [Folk Dance].

Dabke in Arabic is literally "stamping of the feet. "The leader, called raas ("head") or lawweeh ("waver"), is allowed to improvise on the type of dabke. The leader twirls a handkerchief or string of beads known as a masbha (similar to a rosary), while the rest of the dancers keep the rhythm. The dancers also use vocalizations to show energy and keep up the beat. The dabke leader is supposed to be like a tree, with arms in the air, a proud and upright trunk, and feet that stomp the ground in rhythm. At weddings, the singer begins with a mawwal. The raas or lawweeh takes the lead. Everyone does a basic 1-2-3 step before the song kicks in. At weddings, the dance is sometimes performed by a professional troupe dressed in costume. Ref: Wiki.
دير الاسد فرقه الاصايل

URL: http://www.youtube.com/watch?v=3RPS47BVyHE&feature=related

Imagine yourself walking into a village that is full of oak and vineyards, and feeling the blossoming of the mid-September harvesting. This, my friends, is a village found in Lebanon following the traditions that its ancestors have left behind. Lebanese villages are famous for so many of their ancestral traditions and with honor carry them from generation to generation. Many of these consist of the family's cooperation and in this case the whole village is thought to be the FAMILY. In mid-September, families join each other in their fields, to celebrate the vine harvest season. The grapes picked from the vine have been separated, some for making arak (the Lebanese visa to drunkenness), some for wine, others for vinegar and the rest for making grape molasses.

Palestinian Debka in Chicago

URL: http://www.youtube.com/watch?v=Q1fXRwhuhD4
Palestinian Dabka Dance

URL: http://www.youtube.com/watch?v=uRyx5s0yktk&feature=related

The air is filled with the charming aroma of the grape juice that is being heated on the fire. Some women gather their beautiful straw trays laden with tabouleh, hummus, babaghanough, stuffed vine leaves and a collection of delights, fruits, and breads. Others balance water jugs on their heads walking as elegantly as can be. The young men and women, dressed in festive clothes, go with their mothers to meet with the elder male members of the family in the fields. The young women are dressed in flowing skirts and shirts topped with long vests; veils and headdresses with beautiful decoration and intricate beading adorn their heads. The men are wearing their sherwals and labbadeh (baggy pants and felt hats) with colorful vests over their shirts and boots. An old man enters the scene carrying a derbake (a small drum made of a clay cylinder and stretched goat skin), followed by couple of other men with their nay and mijwiz (the nay is a single long bamboo flute and the mijwiz is a short double barreled high pitched flute).

Palestinian Dabke

URL: http://www.youtube.com/watch?v=XaykghFE4hc

DEBKA FALASTINIYA

URL: http://www.youtube.com/watch?v=P8hK9Wb_EUo

الجالية الفلسطينية معرض الجاليات 2007 - جامعة اليرموك -جزء1

URL: http://www.youtube.com/watch?v=9ynp5It4tXk&feature=related

الجالية الفلسطينية معرض الجاليات 2007 - جامعة اليرموك -جزء2

URL: http://www.youtube.com/watch?v=FXBAupWhRWY&feature=related

The music starts to play, and the fresh September evening breeze is everywhere. Some men and women hold hands and start to dance to the daloonah tune, the base of all Dabkes (to stomp the ground with ones feet), while others clap their hands creating the appropriate mood. Then this opens way to improvised singing; a woman enters the scene with a jug balanced on her head and is joined by others, as if competing. Then men join in with their swords, doing the sword dance to the rhythm of the mijwiz. As time pass by, and the mood becomes very temping, the elders join in, holding hands with the youngsters forming a line of unison and doing the same step. The man and woman at the opposite ends of the lines make different steps on the theme to show how competent, agile and graceful they are. The rest of the company clap and cheer to reveal their happiness. An old man calls from behind and announces that the grape juice has boiled enough and once it cools down, they can drink it. Here the atmosphere is filled with ululation to the man behind the juice and to the women who prepared the food. And as the ululation continues the tempo of the Dabke increases. Luckily, from all the Lebanese traditions this scene did not die, especially in the villages. The Dabke is a national Lebanese dance that is carried out nearly in every nightclub, restaurant, or party you attend.

Palestinian Wedding Dabka

URL: http://www.youtube.com/watch?v=g8vQVnZo7_0&feature=related


مصطفى الخطيب مجوز / دبكة

URL: http://www.youtube.com/watch?v=NDwM9P65Vho&feature=related

Its History - In the olden days, before tiled roofs were installed on Lebanese homes. Their flat roofs were made of tree branches that were topped with mud. When the change of seasons came, especially winter, the mud would crack and start to leak and would need to be fixed. The owner of the house would call his neighbors for help- Al-Awneh- and the neighbors would gather up on the roof. They would hold hands, form a line and start stomping their feet while walking on the roof in order to adjust the mud. After a while, Al-Awneh, became to be known as Daloonah, a form of improvised singing and dancing the dabke. A derbake, nay and a mijwiz were added in order to keep the men going in the cold weather (it helped stimulate the blood pressure to produce more energy). As time emerged, the Dabke dance came to be known one of Lebanonís most famous traditions. Today Dabke is performed in every Lebanese household. The Dabke is made livelier, when friends and families gather around the Lebanese mezze with arak or wine and begin to perform this dance. REFERENCE: Dabke: The Dance of the Lebanese Village http://www.sourat.com/dabke.htm

Wednesday, September 23, 2009

Traditional Pashto Folk Song (Tappay)



Pashto Tapey Part 1

URL: http://www.youtube.com/watch?v=QIYj_xrUqfo

Pashto Tapey Part 2

URL: http://www.youtube.com/watch?v=X9uCQHguD4M&feature=related

What is Tappa:

Tappa

Tappa is the oldest and most popular genre of the Pashto poetry. It is liked very much by the Pushtoons of all ages irrespective of their age and sex. Countless Tappas have been added by unknown poets and are sung with unsurpassed popularity. Lyrically, the Tappa is a composition of two unequal meters, in which the first line is shorter than the succeeding one, yet it reflects all human feelings and aspirations elegantly. Be it laborers, peasants, or women, everyone’s sentiments find expression in the Tappa.

It is also common among the Pashtoons that a boy of school would sing it, the elders in their hujrahs, the women in their home and Godar alike. It is the only song sung in the time of grief and on the occasion of marriage. In music it is sung with the traditional Pashto musical instrument 'Rabab' and 'Mangay'. Tappa has upto 16 different models of harmony. Nowaday it is being sung with full orchestra. Tappa is the song, which used to be sung without musical instruments but musicians have composed different compositions for it. In mountains and in the deserts, it is still sung without some instruments. In these places, some times is sung with the melody of flute. In hujrah it's sung with Rabab and Sittar and the beating of a water pot. Among the different tunes of Tappa, the tone of teerah, Peshawar, Bannu and Qandahar is popular. A new tone has recently been created by the famous Pashto singer. Haroon Badshah. A part from the Indian notation, it has its own Pashto andante-- Mughalai. COURTESY: Pashto Music - Prof. Dr. Raj Wali Shah Khattak Excerpts from Sheikh Aziz's 'The Richness of It All' http://www.khyber.org/culture/music/pashtomusic.shtml

Tappa (Landay) is a form of folk poetry and consist of couplets; the first one consists of nine syllables and the second thirteen. This format of poetry is described by some to consist of one and one half verses. The author of such couplets is generally unknown. Some of them have names of authors or national figures and heroes attached. Tappay are started with a fond opening word of ‘ya qurban’, meaning respect to the listener or the subject. Tappey are sung with loud melodious voice and could be accompanied by Mangay, Tabla, Tambal, Baja or sitar. Tappey are generally sung over weddings, celebrations or just to tide over the long winter nights. In weddings ceremonies it might have the form of two-person duet presented by male and female singers or two male singers. Tappa covers all forms of Pashtoon life; love, passion, anger, hate, wars, history, heroes and villains. The love for environment, flower, cities and mountains is contained in many. Pakhtoon loves his cities with reverence and are commonly noted in the verses. The rugged Pakhtoon terrain from Chitral to Chaman and Amu to Abasin is the source of inspiration in the form of Tappa and is a therapy for the soul of the inhabitants of these mountains and valleys.

The expatriate and natives alike often miss Peshawar, Kabul, Qandahar, Ningrahar, Chaman, Mardan, Swat, Bajaur, Nowshera, Karapa and Tirah. Tappey covers them all. There is sufficient coverage of the beauty of the Landmark Mountains like Khyber, Tahtarra, Malakand, Tirah and Elam. Separation is pain; reunion a joyful event and happening. Islam the religion of the Pashtoon tribes is noted in many, others reveal his reverence to spiritual leaders of the past like Pir baba and Kaka sahib. Pashtoon are fond of fragrant flowers like Kashmali, rose and Chambeli to mention a few. He compares the beauty of his love without devotion to a flower without fragrance.

The beloved has to have wafa or heart felt devotion, she is mentioned with great reverence and respect, her lips are red, face ruby white and eyes, clear, shining, full of passion and beautiful like the flower of Nargis (narcissus). Her hairs are long and consist of jet-black locks often compared to day and night. Some Tappay describe the face of the beloved as Roohani as Islam and the hair as pagan as Kafiristan. Pashtoon lover is always dreaming and imagining, he never has a chance to marry the girl of his dreams. It is satisfying to dream and imagine seeing her fetching the water in the water pitcher (Mangai) from the water bank (Gudar) or well. The Jewish Rabbi historian noted this commonality between Pakhtoons and Jews by reading the frequent mention of water bank and wells in our folk poetry. He noted the same in the Israelites, like Moses, Jacob and many others who fell in love with their wives by the water holes, wells and fountains.

Tappey covers the constant struggle of the Pashtoon with nature, the harsh weather, and droughts. With all those wars, struggle for existence and survival I wonder how Adam Khan and Durkhanai pulled a love affair, so successful to be remembered for generations. Tohmat, Badnami (bad reputation) bugs the lover constantly. Sohbat, the unending love talk of lovers is the state of bless, longed for in many verses. Beltoon the other fellow who has the same love interest is a hateful soul. He is smart and can get across to the family of the girl some how and gets away with it. He is Waham and Waswasa and the extreme fear of being accepted by the family and the beloved. The fond neglect or Makeiz exhibited by the beloved does not allay the fear either or remedy the situation. The beloved is not trust worthy she may fall for the talk of the Beiltoon who is like Latoo, a bird that changes his tone frequently to attract his own kind in the forest. ‘Tapoosai Tor Kargha’ the crow is an ugly bird which at times brings bad news, by repeatedly crowing in front of the house. The ‘ka ka’ of the crow inspires aw and fear of loss. COURTESY: Tappa by Rahmat Shah http://www.khyber.org/culture/music/tappa.shtml

Thursday, April 9, 2009

Saudi Arabian Ardh - Folk Dance IV

عرضة جازان بالجنادريه

Saudi Arabian Ardh - Folk Dance III

عرضة جازان بالجنادريه

Saudi Arabian Samri Folk Dance

شيلة سامري قوية

Saudi Arabian Ardh - Folk Dance II

عرضه في وادي الدواسر

Saudi Arabian Sword Dance -

حفل مدينة الرياض بمناسبة عيد الفطر المبارك الخميس



King Faisal and Aal-e-Saud Dancing during Eid Celebrations

Saudi Arabian Ardh - Folk Dance

Traditional Saudi Arabian Warrior Folk Dance.

عرضة جنوبية مع الشعار - بن مصلح * بن شرف * الدرمحي * اليزيدي